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Showing posts with label Spring Summer 11/12. Show all posts
Showing posts with label Spring Summer 11/12. Show all posts
10.11.11
22.10.11
Sara Phillips RAFW Preparation Diary
Sara Phillips may only be at the start of her career, but she's already making in-roads as one of the most promising commercial designers on the Australian market. Her cute party dresses and pretty prints are exactly what girls want hanging in their wardrobes, and as a result, the designer is already creating up to four ranges a year, and collaborating with the likes of Sportsgirl, and this season Ecco shoes.
We asked her to tell us a bit about her collection, and give us a rundown of her RAFW preparation process:
Our Summer 2011/12 collection is based on the beauty of our native Australian flora and fauna. We have taken inspiration from the harsh beauty of native flowers such as banksia, bottle brush and the waratah.
We have also examined reptiles and their beautifully detailed scales. We took silhouettes from their form and colour and pattern from their skin.
It is a heavily print-focused collection with both hand-drawn as well as photographic offerings.
Here's a timeline of how it came together:
3.1.11
Finalised design concept - inspiration etc
27.1.11
Chose fabrics
1.2.11
Went to the flower markets, found more inspiration. Found some great native flowers that I could turn into some really beautiful prints
13.2.11
Started to hand draw our prints, so exciting seeing everything come together
29.3.11
We’ve got so many prints it’s hard to choose my favourite
1.3.11
Started to workshop our beading in India. We found some really interesting textures/beads/yarns, we think this will add another dimension to the collection
10.3.11
Started to digitally print our fabrics, I love how immediate the technology, it allows us to see our fabrics straight away
25.3.11
Just received some summer samples back for fashion week, all the colours and textures look amazing together. Some slight changes to be made but it’s all looking really good
4.4.11
Started our fashion week productions meetings. Trying to find a way to do something really different with the venue, I think this year is going to be really special. We are trying to mix up the layout a bit and make the set design come out into the audience space
25.4.11
Received all our good bag product today from all our amazing sponsors- Ecco, Bobby Brown, Redken- some really great product that I hope everyone gets excited about
Above image: Collection preview image and mood board exclusively for TheVine.
We asked her to tell us a bit about her collection, and give us a rundown of her RAFW preparation process:
Our Summer 2011/12 collection is based on the beauty of our native Australian flora and fauna. We have taken inspiration from the harsh beauty of native flowers such as banksia, bottle brush and the waratah.
We have also examined reptiles and their beautifully detailed scales. We took silhouettes from their form and colour and pattern from their skin.
It is a heavily print-focused collection with both hand-drawn as well as photographic offerings.
Here's a timeline of how it came together:
3.1.11
Finalised design concept - inspiration etc
27.1.11
Chose fabrics
1.2.11
Went to the flower markets, found more inspiration. Found some great native flowers that I could turn into some really beautiful prints
13.2.11
Started to hand draw our prints, so exciting seeing everything come together
29.3.11
We’ve got so many prints it’s hard to choose my favourite
1.3.11
Started to workshop our beading in India. We found some really interesting textures/beads/yarns, we think this will add another dimension to the collection
10.3.11
Started to digitally print our fabrics, I love how immediate the technology, it allows us to see our fabrics straight away
25.3.11
Just received some summer samples back for fashion week, all the colours and textures look amazing together. Some slight changes to be made but it’s all looking really good
4.4.11
Started our fashion week productions meetings. Trying to find a way to do something really different with the venue, I think this year is going to be really special. We are trying to mix up the layout a bit and make the set design come out into the audience space
25.4.11
Received all our good bag product today from all our amazing sponsors- Ecco, Bobby Brown, Redken- some really great product that I hope everyone gets excited about
Above image: Collection preview image and mood board exclusively for TheVine.
Porcelain by Karla Spetic
Karla Spetic's SS11/12 collection was one of the brightest injections of colour in a week that was pretty kaleidoscopic already. She allowed this boldness room to breath by offering longer, leaner more grown up shapes than we're used to from the designer - who has previously worked with very short, youthful hemlines - and it worked in her favour. Spetic's showing was picked out by several critics, and one piece in particular, an apple green suit layered over lime shirting, became one of the most mentioned, and most printed, looks of the week.
We caught up with the designer to find out how she felt the show went, what inspired her, and what we can expect next.
How do you feel your RAFW showing went?
I feel it went well and it was smooth without any mishaps, which is unusual. Normally it's all very stressful but I had such a great team who made it easy. It all happened quickly so it's a bit of a blur
Was there a particular moment that stood out for you?
When the models stood in line just before the show began.
Your bright green suit was one of the most talked about garments of the week. What inspired you to go so bold with colour?
I love colour. I think people respond to bright colours and I wanted to portray a positive feel. I've been wanting to use apple green for some time now, and I feel it was right for this collection.
This season you went for quite a clean, long lined silhouette. The shape seemed a little more grown-up than in past seasons. Was this a conscious decision to appeal to an older audience?
It wasn't a conscious decision. I think with time the label evolves. You constantly move forward and learn new things and, yes, grow up.
Can you tell us more generally about your inspirations for the season?
I moved house early this year and my mind was in interior design and interior objects. I was looking at offbeat shapes and colours, art glass, fler furniture, Grant Featherston chairs, retro objects, minimalism, clean shapes. I had so many ideas to redecorate my new space, so that was all I was thinking about. I wanted to translate that into my new collection.
Where did your print come from?
I saw these portuguese tiles. They were very small tiles that had beautiful intricate designs. I decided to enlarge them and re-colour them to show their beautiful ornate detailing.
How important are the international trends when it comes to informing your design aesthetic?
I like the idea of creating what you feel without conforming to any rules or trends.
Can you tell us a bit about the jewellery we saw in your show?
Venice Rish approached the idea of collaborating for SS11/12. At first I didn't think it was something that would really work for me as I've never done anything with jewellery. After we met I was really thinking a lot about the concept and how to integrate jewellery with my garments. When she showed me her ideas I was really impressed and excited to see more. She really understood my brief and worked long hours trying to achieve new techniques. She had the idea of creating glass spheres, which were intricately engraved and set in sterling silver. It wasn't until a few days before the show that I saw the pieces, which blew me away. They were so beautiful with such a strong point of difference. Every piece worked and complemented each look so I was really happy that our vision came to life.
How did your SS11/12 showing follow on from the AW11 collection we can find in stores now. Are there some common themes we can trace through them both?
I think each collection is telling a new story so I think that summer is very different. The familiarity would probably be the continuation of contrasts such as masculine and feminine, structured and loose, print, colour, tailoring...
You've been showing at Rosemount Australian Fashion Week for several seasons now. What is about showcasing your collection in this way that you enjoy?
Seeing your vision come to life when all the models walk in the finale.
Have you picked up any stockists you're particularly excited about?
The feedback has been very positive. Sales are coming through so I have yet to see.
A lot of australian labels have been doing high street collaborations and diffusion lines lately, is this something you'd ever consider?
Maybe in the near future. I'll see what opportunities come my way.
Can you tell us a bit about your upbringing?
I was born in Dubrovnik, Croatia. When the civil war broke out in 1991 my mother and I moved to Australia two years later. It took time to adjust to a new way of life on the other side of the world. I learned English very quickly but it was the food and cultural differences that took time to get used to. For now, I can't see myself living anywhere else.
How did you first get into fashion design?
When I was eleven years old I decided I wanted to make clothes. I always loved making things, drawing and painting so it seemed natural for me.
In what ways has the Karla Spetic woman grown or changed since you first began?
I would like to think that she is more refined and unaffected.
We caught up with the designer to find out how she felt the show went, what inspired her, and what we can expect next.
How do you feel your RAFW showing went?
I feel it went well and it was smooth without any mishaps, which is unusual. Normally it's all very stressful but I had such a great team who made it easy. It all happened quickly so it's a bit of a blur
Was there a particular moment that stood out for you?
When the models stood in line just before the show began.
Your bright green suit was one of the most talked about garments of the week. What inspired you to go so bold with colour?
I love colour. I think people respond to bright colours and I wanted to portray a positive feel. I've been wanting to use apple green for some time now, and I feel it was right for this collection.
This season you went for quite a clean, long lined silhouette. The shape seemed a little more grown-up than in past seasons. Was this a conscious decision to appeal to an older audience?
It wasn't a conscious decision. I think with time the label evolves. You constantly move forward and learn new things and, yes, grow up.
Can you tell us more generally about your inspirations for the season?
I moved house early this year and my mind was in interior design and interior objects. I was looking at offbeat shapes and colours, art glass, fler furniture, Grant Featherston chairs, retro objects, minimalism, clean shapes. I had so many ideas to redecorate my new space, so that was all I was thinking about. I wanted to translate that into my new collection.
Where did your print come from?
I saw these portuguese tiles. They were very small tiles that had beautiful intricate designs. I decided to enlarge them and re-colour them to show their beautiful ornate detailing.
How important are the international trends when it comes to informing your design aesthetic?
I like the idea of creating what you feel without conforming to any rules or trends.
Can you tell us a bit about the jewellery we saw in your show?
Venice Rish approached the idea of collaborating for SS11/12. At first I didn't think it was something that would really work for me as I've never done anything with jewellery. After we met I was really thinking a lot about the concept and how to integrate jewellery with my garments. When she showed me her ideas I was really impressed and excited to see more. She really understood my brief and worked long hours trying to achieve new techniques. She had the idea of creating glass spheres, which were intricately engraved and set in sterling silver. It wasn't until a few days before the show that I saw the pieces, which blew me away. They were so beautiful with such a strong point of difference. Every piece worked and complemented each look so I was really happy that our vision came to life.
How did your SS11/12 showing follow on from the AW11 collection we can find in stores now. Are there some common themes we can trace through them both?
I think each collection is telling a new story so I think that summer is very different. The familiarity would probably be the continuation of contrasts such as masculine and feminine, structured and loose, print, colour, tailoring...
You've been showing at Rosemount Australian Fashion Week for several seasons now. What is about showcasing your collection in this way that you enjoy?
Seeing your vision come to life when all the models walk in the finale.
Have you picked up any stockists you're particularly excited about?
The feedback has been very positive. Sales are coming through so I have yet to see.
A lot of australian labels have been doing high street collaborations and diffusion lines lately, is this something you'd ever consider?
Maybe in the near future. I'll see what opportunities come my way.
Can you tell us a bit about your upbringing?
I was born in Dubrovnik, Croatia. When the civil war broke out in 1991 my mother and I moved to Australia two years later. It took time to adjust to a new way of life on the other side of the world. I learned English very quickly but it was the food and cultural differences that took time to get used to. For now, I can't see myself living anywhere else.
How did you first get into fashion design?
When I was eleven years old I decided I wanted to make clothes. I always loved making things, drawing and painting so it seemed natural for me.
In what ways has the Karla Spetic woman grown or changed since you first began?
I would like to think that she is more refined and unaffected.
source: text thevine | images vogue.com.au
18.9.11
a summer of sass and bide
Summer tunes from ‘boogie & the historymaker’ london fashion week show
Some of our first very flash and foxy pieces in an exciting collection to come; from the ladies at sass & bide. Colour, cords, sequins, prints, paint & party hats. Summer 2011/12 sounds like FUN to us!
17.9.11
OH to rock a Rachael Ruddick
Rachael Hosken Ruddick
An early career in luxury goods and a life-long passion for design has seen Rachael Hosken Ruddick take Australian-designed accessories to a new level. After nearly 15 years spent with the LVMH group, including managing the Christian Dior fashion business and the Moet & Chandon brand in Australia, Rachael established the Rachael Ruddick label.
Rachael had long recognised the potential of stunning Australian leathers, coveted by global fashion players, citing, “I just couldn’t believe the worlds most coveted leather from Australia had not been embraced in a fashion sense locally. Aside from the stunning core materials, I wanted to develop a brand which celebrated Australian style and our sense of attitude… and for these highly sought after elements to resonate from every piece”.
Evident in Ruddick’s collections are classic design references, inspired by a life of travel and an enduring appreciation of timeless style. Rachael lives and works by the ocean in beautiful Sydney, and is stirred by her environment each and every day.
source; image & text RACHAEL RUDDICK
Picks of the week
Our staff Anya, Christelle & Elin have narrowed down the fashionable favourites for this week, and they really are priceless picks!
We'll take one of each thank you very much!!!
Dion Lee Harness Back Dress- Picture says it all..
Sass & Bide Sequin Pants- oh so COOL
Lover Lace- Elegantly beautiful yet still edgy
Therese Rawsthorne Rectangle Dress- The shape, the length, the style- LOVE!
13.9.11
You're Invited to Our Fashion Spring Parade for Charity
Wednesday October 19, 2011
be sure to mark this date in the diary
10:30am Rialto Square
pre purchased tickets $25 available in store at Mr & Mrs Smith and Mclean & Page.
with all profits being donated to The Bear Cottage, Manly
Limited seats available.
Champagne & canapés included
along with a fabulous fashion auction & all for a great cause
This years Spring parade will showcase the very best designers and styles on offer this season for men, women and the kids from Mr & Mrs Smith and Mclean & Page boutiques.
With labels including Bassike, Nobody, Three Over One, WHYRED, Willow, By Malene Birger, Zimmermann, Manning Cartell, Kate Slyvester, twenty8twelve by S. Miller, Flannel, Day by Birger et Mikkelsen , IRO, Paul and Joe Sister, Fleur Wood, Camilla and Marc, Sara Phillips, Dion Lee, Amber & Thomas, Gary Bigeni, Anna & Boy, Sass & Bide, Kirrily Johnston, Therese Rawsthorne, Beaucoops, 2 by Lyn &Tony, Dinosaur Designs, Repetto, D.Co, Elke, Vanrycke, Mama Papa, Munster, Polker, Chalk & Cheese, April Showers by Polder and Zimmermann kids.
Get a group together and contact us now with your details
to secure your places front row.
Call us in either store on
{smith} 02 8966 9555 {mclean} 0299763277
or via email:
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